🍩 Phish Setlist Tracker

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2000-06-09

On Air East · Shibuya City, Tokyo · Summer Japan Tour 2000 Era 1.0

Set 1: Axilla [3:32] > Taste [11:26], Billy Breathes [7:43], Poor Heart [2:34] > Golgi Apparatus [4:43] > Funky Bitch [10:42] notes ↗, The Moma Dance [10:09] > First Tube [7:50] > Chalk Dust Torture [10:08] notes ↗
Set 1 total: 1:08:47

Set 2: Tweezer [31:26] notes ↗, Bouncing Around the Room [4:04], The Mango Song [9:38] notes ↗, The Squirming Coil [9:33] > Gotta Jibboo [10:58] > Meatstick [8:44] > Tweezer Reprise [6:46]
Set 2 total: 1:21:09

Encore: You Enjoy Myself [24:16] notes ↗
Encore total: 24:16

Show total: 2:54:12 across 17 songs.

Notes

The Moma Dance included Funky Bitch teases and Tweezer included Funk #49 teases. This was the first ever Meatstick to feature Japanese lyrics and Trey flubbed the words while attempting to sing them. Bouncing included a brief outro solo from Trey, which replaced the usual closing guitar lick. This show was re-broadcast on Japanese television.

Gap chart

How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.

SongTimes playedLast played (overall) Last played before this showGap
Axilla 114 2026-07-22 1999-12-31 7
Taste 156 2026-09-06 2000-05-23 0
Billy Breathes 68 2026-07-27 2000-05-22 1
Poor Heart 312 2024-12-28 1999-12-31 7
Golgi Apparatus 486 2026-07-24 2000-05-22 1
Funky Bitch 238 2026-07-27 2000-05-19 3
The Moma Dance 217 2026-09-05 2000-05-21 2
First Tube 148 2026-09-06 2000-05-23 0
Chalk Dust Torture 530 2026-09-05 2000-05-22 1
Tweezer 420 2026-09-05 1999-12-30 8
Bouncing Around the Room 499 2026-07-22 2000-05-22 1
The Mango Song 110 2026-07-17 2000-05-22 1
The Squirming Coil 378 2026-07-25 2000-05-21 2
Gotta Jibboo 107 2026-07-18 2000-05-23 0
Meatstick 80 2026-07-17 1999-12-31 7
Tweezer Reprise 333 2026-09-06 1999-12-30 8
You Enjoy Myself 629 2026-07-29 2000-05-23 0

gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.

Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →