← 1999-07-18 · OSWEGO COUNTY AIRPORT 1999-07-21 · STAR LAKE AMPHITHEATRE →
1999-07-20
MOLSON AMPHITHEATRE · Toronto, Ontario · Summer U.S. Tour 1999 Era 1.0
Set 1:
Chalk Dust Torture [7:44],
Sample in a Jar [5:10],
Cars Trucks Buses [5:02],
The Sloth [4:22],
Divided Sky [16:18],
Waste [5:46] >
Ghost [16:25] notes ↗,
Wilson [6:08] >
You Enjoy Myself [24:34] notes ↗
Set 1 total:
1:31:29
Set 2:
Twist [12:12] >
The Moma Dance [9:03] >
What's the Use? [8:45] >
Train Song [3:08] >
Also Sprach Zarathustra [10:03] notes ↗ >
Misty Mountain Hop [15:17] notes ↗
Set 2 total:
58:28
Encore:
Guyute [11:41],
Hello My Baby [1:43]
Encore total:
13:24
Show total: 2:43:21 across 17 songs.
Soundcheck
A soundcheck isn't part of the show and counts toward no song's play total or gap.
Notes
Teases
Gap chart
How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.
| Song | Times played | Last played (overall) | Last played before this show | Gap |
|---|---|---|---|---|
| Chalk Dust Torture | 530 | 2026-09-05 | 1999-07-18 | 0 |
| Sample in a Jar | 316 | 2026-07-25 | 1999-07-16 | 2 |
| Cars Trucks Buses | 89 | 2025-07-20 | 1998-11-13 | 31 |
| The Sloth | 177 | 2026-04-30 | 1999-07-15 | 3 |
| Divided Sky | 448 | 2026-07-24 | 1999-07-09 | 7 |
| Waste | 111 | 2026-09-06 | 1999-07-03 | 11 |
| Ghost | 238 | 2026-09-06 | 1999-07-15 | 3 |
| Wilson | 306 | 2026-07-27 | 1999-07-18 | 0 |
| You Enjoy Myself | 629 | 2026-07-29 | 1999-07-17 | 1 |
| Twist | 192 | 2026-07-08 | 1999-07-12 | 5 |
| The Moma Dance | 217 | 2026-09-05 | 1999-07-18 | 0 |
| What's the Use? | 74 | 2026-07-21 | 1999-07-12 | 5 |
| Train Song | 59 | 2024-08-06 | 1999-07-09 | 7 |
| Also Sprach Zarathustra | 279 | 2026-07-24 | 1999-07-16 | 2 |
| Misty Mountain Hop | 4 | 1999-10-10 | debut | — |
| Guyute | 137 | 2026-07-29 | 1999-07-18 | 0 |
| Hello My Baby | 56 | 2019-12-03 | 1998-11-29 | 20 |
gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.
Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →