← 1997-12-07 · ERVIN J. NUTTER CENTER, WRIGHT STATE UNIVERSITY 1997-12-11 · ROCHESTER WAR MEMORIAL →
1997-12-09
BRYCE JORDAN CENTER, PENN STATE UNIVERSITY · State College, PA · Fall Tour 1997 Era 1.0
Set 1:
Mike's Song [12:06] notes ↗ >
Chalk Dust Torture [7:37],
My Soul [7:27],
Stash [13:10] >
I Am Hydrogen [3:38] >
Weekapaug Groove [10:59],
Dogs Stole Things [4:26],
Beauty of My Dreams [3:00],
Horn [4:04] >
Loving Cup [7:14]
Set 1 total:
1:13:41
Set 2:
Julius [9:30] >
Simple [29:32] notes ↗ ->
Timber (Jerry the Mule) [7:44] notes ↗ >
Contact [6:24],
Axilla [3:31] >
Harry Hood [14:25]
Set 2 total:
1:11:06
Encore:
Fire [5:56]
Encore total:
5:56
Show total: 2:30:43 across 17 songs.
Soundcheck
A soundcheck isn't part of the show and counts toward no song's play total or gap.
Notes
Teases
Gap chart
How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.
| Song | Times played | Last played (overall) | Last played before this show | Gap |
|---|---|---|---|---|
| Mike's Song | 550 | 2026-08-01 | 1997-12-02 | 4 |
| Chalk Dust Torture | 530 | 2026-09-05 | 1997-12-05 | 2 |
| My Soul | 96 | 2026-04-25 | 1997-12-03 | 3 |
| Stash | 464 | 2026-08-01 | 1997-12-05 | 2 |
| I Am Hydrogen | 356 | 2026-07-22 | 1997-11-22 | 11 |
| Weekapaug Groove | 523 | 2026-08-01 | 1997-12-02 | 4 |
| Dogs Stole Things | 43 | 2025-06-24 | 1997-11-21 | 12 |
| Beauty of My Dreams | 56 | 2025-07-04 | 1997-11-21 | 12 |
| Horn | 180 | 2026-07-14 | 1997-11-29 | 7 |
| Loving Cup | 158 | 2026-07-27 | 1997-12-05 | 2 |
| Julius | 245 | 2026-07-25 | 1997-12-05 | 2 |
| Simple | 212 | 2026-07-25 | 1997-12-02 | 4 |
| Timber (Jerry the Mule) | 110 | 2026-07-27 | 1997-12-07 | 0 |
| Contact | 177 | 2026-07-18 | 1997-08-16 | 20 |
| Axilla | 114 | 2026-07-22 | 1997-02-28 | 63 |
| Harry Hood | 445 | 2026-09-04 | 1997-12-03 | 3 |
| Fire | 139 | 2026-07-14 | 1997-11-29 | 7 |
gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.
Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →