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1994-11-02
BANGOR AUDITORIUM · Bangor, ME · Fall Tour 1994 Era 1.0
Set 1:
Suzy Greenberg [5:31],
Foam [10:45] notes ↗,
If I Could [6:55] >
Maze [12:14] notes ↗,
Guyute [10:49],
Stash [11:44] notes ↗,
Scent of a Mule [10:13],
While My Guitar Gently Weeps [6:25]
Set 1 total:
1:14:36
Set 2:
Halley's Comet [5:10] >
Tweezer [30:30] notes ↗ >
The Mango Song [6:48] >
Axilla (Part II) [4:01],
Possum [12:43] notes ↗,
The Lizards [10:45],
Sample in a Jar [5:06]
Set 2 total:
1:15:03
Encore:
The Old Home Place [5:41],
Foreplay/Long Time [6:27],
Tweezer Reprise [2:57]
Encore total:
15:05
Show total: 2:44:44 across 18 songs.
Soundcheck
A soundcheck isn't part of the show and counts toward no song's play total or gap.
Notes
Teases
Gap chart
How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.
| Song | Times played | Last played (overall) | Last played before this show | Gap |
|---|---|---|---|---|
| Suzy Greenberg | 458 | 2026-07-24 | 1994-10-26 | 4 |
| Foam | 358 | 2026-07-22 | 1994-10-29 | 1 |
| If I Could | 70 | 2026-07-29 | 1994-10-13 | 14 |
| Maze | 350 | 2026-07-24 | 1994-10-27 | 3 |
| Guyute | 137 | 2026-07-29 | 1994-10-26 | 4 |
| Stash | 464 | 2026-08-01 | 1994-10-28 | 2 |
| Scent of a Mule | 139 | 2026-07-27 | 1994-10-28 | 2 |
| While My Guitar Gently Weeps | 38 | 2025-07-19 | 1994-10-31 | 0 |
| Halley's Comet | 161 | 2026-07-27 | 1994-10-23 | 6 |
| Tweezer | 420 | 2026-09-05 | 1994-10-27 | 3 |
| The Mango Song | 110 | 2026-07-17 | 1994-10-25 | 5 |
| Axilla (Part II) | 67 | 2026-09-06 | 1994-10-28 | 2 |
| Possum | 586 | 2026-09-05 | 1994-10-25 | 5 |
| The Lizards | 337 | 2026-07-22 | 1994-10-28 | 2 |
| Sample in a Jar | 316 | 2026-07-25 | 1994-10-28 | 2 |
| The Old Home Place | 51 | 2026-07-14 | 1994-10-28 | 2 |
| Foreplay/Long Time | 17 | 1999-07-12 | 1994-10-28 | 2 |
| Tweezer Reprise | 333 | 2026-09-06 | 1994-10-27 | 3 |
gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.
Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →