← 2026-05-02 · SPHERE 2026-07-08 · KOHL CENTER →
2026-07-07
KOHL CENTER · Madison, WI · Summer Tour 2026 Era 4.0
Set 1:
Chalk Dust Torture [10:04] >
Ghost [13:52],
Back on the Train [8:00] >
Free [8:24],
Mike's Song [8:35],
The Man Who Stepped Into Yesterday [3:40] >
Avenu Malkenu [3:19],
Weekapaug Groove [7:27],
A Wave of Hope [10:20] >
Character Zero [6:13]
Set 1 total:
1:19:54
Set 2:
Run Like an Antelope [10:24],
Fuego [25:25] notes ↗ >
Life Saving Gun [11:24] notes ↗ >
Sand [15:06] notes ↗,
Ruby Waves [16:09] >
Suzy Greenberg [7:14]
Set 2 total:
1:25:42
Encore:
Slave to the Traffic Light [8:54],
Say It To Me S.A.N.T.O.S. [5:47]
Encore total:
14:41
Show total: 3:00:17 across 18 songs.
Notes
Teases
Gap chart
How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.
| Song | Times played | Last played (overall) | Last played before this show | Gap |
|---|---|---|---|---|
| Chalk Dust Torture | 532 | 2026-10-09 | 2026-04-25 | 3 |
| Ghost | 240 | 2026-10-09 | 2026-04-25 | 3 |
| Back on the Train | 176 | 2026-10-03 | 2026-05-02 | 0 |
| Free | 246 | 2026-10-11 | 2026-04-17 | 7 |
| Mike's Song | 552 | 2026-10-12 | 2026-04-17 | 7 |
| The Man Who Stepped Into Yesterday | 88 | 2026-07-27 | 2026-04-24 | 4 |
| Avenu Malkenu | 86 | 2026-07-27 | 2022-04-21 | 192 |
| Weekapaug Groove | 525 | 2026-10-12 | 2026-04-17 | 7 |
| A Wave of Hope | 45 | 2026-10-02 | 2026-04-30 | 2 |
| Character Zero | 271 | 2026-10-12 | 2026-05-02 | 0 |
| Run Like an Antelope | 499 | 2026-10-12 | 2026-04-18 | 6 |
| Fuego | 106 | 2026-10-11 | 2026-04-23 | 5 |
| Life Saving Gun | 24 | 2026-10-06 | 2026-04-24 | 4 |
| Sand | 170 | 2026-10-11 | 2026-05-01 | 1 |
| Ruby Waves | 46 | 2026-10-07 | 2026-05-02 | 0 |
| Suzy Greenberg | 459 | 2026-10-06 | 2026-04-17 | 7 |
| Slave to the Traffic Light | 301 | 2026-10-11 | 2026-04-24 | 4 |
| Say It To Me S.A.N.T.O.S. | 58 | 2026-10-02 | 2026-04-24 | 4 |
gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.
Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →