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2016-09-03
DICK'S SPORTING GOODS PARK · Commerce City, CO · Summer Tour 2016 Era 3.0
Set 1:
Slave to the Traffic Light [9:04],
Down with Disease [13:06] notes ↗,
What's the Use? [6:18] >
Maze [9:44],
Farmhouse [6:38],
555 [5:58],
Wolfman's Brother [10:42],
Divided Sky [14:48] >
Rock and Roll [8:31]
Set 1 total:
1:24:49
Set 2:
Fuego [11:17] >
Sand [8:23] >
Blaze On [11:19] notes ↗ ->
Simple [15:47] notes ↗ >
Twist [9:07] >
Theme from the Bottom [7:56] >
Also Sprach Zarathustra [7:52] >
Harry Hood [14:31]
Set 2 total:
1:26:12
Encore:
The Squirming Coil [10:56] notes ↗
Encore total:
10:56
Show total: 3:01:57 across 18 songs.
Soundcheck
A soundcheck isn't part of the show and counts toward no song's play total or gap.
Notes
Gap chart
How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.
| Song | Times played | Last played (overall) | Last played before this show | Gap |
|---|---|---|---|---|
| Slave to the Traffic Light | 299 | 2026-07-24 | 2016-07-18 | 7 |
| Down with Disease | 327 | 2026-09-04 | 2016-08-26 | 2 |
| What's the Use? | 74 | 2026-07-21 | 2016-07-15 | 9 |
| Maze | 350 | 2026-07-24 | 2016-07-19 | 6 |
| Farmhouse | 95 | 2026-07-15 | 2016-07-23 | 3 |
| 555 | 72 | 2026-07-11 | 2016-08-26 | 2 |
| Wolfman's Brother | 254 | 2026-09-04 | 2016-08-26 | 2 |
| Divided Sky | 448 | 2026-07-24 | 2016-07-18 | 7 |
| Rock and Roll | 98 | 2026-07-15 | 2016-07-22 | 4 |
| Fuego | 104 | 2026-09-06 | 2016-08-26 | 2 |
| Sand | 168 | 2026-09-05 | 2016-07-16 | 8 |
| Blaze On | 101 | 2026-09-06 | 2016-08-26 | 2 |
| Simple | 212 | 2026-07-25 | 2016-08-26 | 2 |
| Twist | 192 | 2026-07-08 | 2016-08-28 | 1 |
| Theme from the Bottom | 202 | 2026-07-27 | 2016-07-19 | 6 |
| Also Sprach Zarathustra | 279 | 2026-07-24 | 2016-08-28 | 1 |
| Harry Hood | 445 | 2026-09-04 | 2016-08-28 | 1 |
| The Squirming Coil | 378 | 2026-07-25 | 2016-07-01 | 16 |
gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.
Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →