🍩 Phish Setlist Tracker

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1996-08-04

RED ROCKS AMPHITHEATRE · Morrison, CO · Summer U.S. Tour 1996 Era 1.0

Set 1: Chalk Dust Torture [6:52], Funky Bitch [5:22], Guyute [10:25], Fee [5:13] > Split Open and Melt [11:34], The Mango Song [7:25], The Sloth [3:47], Maze [12:11], Loving Cup [6:43]
Set 1 total: 1:09:32

Set 2: AC/DC Bag [9:30] > Reba [13:36], Scent of a Mule [12:25] notes ↗, Sample in a Jar [4:48] > David Bowie [14:21], Sweet Adeline [1:53], Slave to the Traffic Light [10:42]
Set 2 total: 1:07:15

Encore: Theme from Star Trek [0:39], Rocky Top [2:37]
Encore total: 3:16

Show total: 2:20:03 across 18 songs.

Soundcheck

Character Zero, Poor Heart (half speed), Caravan, Jam

A soundcheck isn't part of the show and counts toward no song's play total or gap.

Notes

Trey sang the verses of Fee through a megaphone. Reba did not have the whistling ending. The Theme from Star Trek made its Phish debut at this show and was performed by Page solo on the theremin.

Gap chart

How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.

SongTimes playedLast played (overall) Last played before this showGap
Chalk Dust Torture 530 2026-09-05 1996-07-24 2
Funky Bitch 238 2026-07-27 1996-07-17 8
Guyute 137 2026-07-29 1996-07-15 9
Fee 290 2026-07-17 1996-07-21 5
Split Open and Melt 356 2026-09-06 1996-07-21 5
The Mango Song 110 2026-07-17 1995-12-17 25
The Sloth 177 2026-04-30 1995-12-31 21
Maze 350 2026-07-24 1996-07-22 4
Loving Cup 158 2026-07-27 1996-07-23 3
AC/DC Bag 344 2026-07-22 1996-07-23 3
Reba 420 2026-07-22 1996-07-21 5
Scent of a Mule 139 2026-07-27 1996-07-23 3
Sample in a Jar 316 2026-07-25 1996-07-25 1
David Bowie 481 2026-07-22 1996-07-17 8
Sweet Adeline 177 2026-07-24 1996-07-19 6
Slave to the Traffic Light 299 2026-07-24 1996-07-23 3
Theme from Star Trek 1 1996-08-04 debut
Rocky Top 208 2026-07-10 1996-07-23 3

gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.

Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →