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1995-06-16

WALNUT CREEK AMPHITHEATER · Raleigh, NC · Summer Tour 1995 Era 1.0

Set 1: Halley's Comet [6:31] > Down with Disease [8:31] > Esther [8:53] notes ↗ > Ya Mar [8:39], Cry Baby Cry [4:41], It's Ice [9:13] notes ↗ > My Mind's Got a Mind of its Own [2:54], Dog Faced Boy [2:13] -> Catapult [0:47] > Split Open and Melt [14:42] notes ↗
Set 1 total: 1:07:04

Set 2: Runaway Jim [30:50] notes ↗ -> Free [9:42], Carolina [2:44], You Enjoy Myself [25:29] notes ↗, The Squirming Coil [10:33]
Set 2 total: 1:19:18

Encore: Bold As Love [5:43]
Encore total: 5:43

Show total: 2:32:05 across 16 songs.

Soundcheck

Caravan, Three Little Birds, Free, Funky Bitch, Jam

A soundcheck isn't part of the show and counts toward no song's play total or gap.

Notes

Halley's Comet was preceded by "Charge!" teases from Trey. Dog Faced Boy was preceded by several false starts of Split Open And Melt by Fish. YEM featured Boyd Tinsley on fiddle for a portion of the jam. The YEM vocal jam contained a Lovin' You (Minnie Riperton) quote from Fish.

Gap chart

How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.

Song	Times played	Last played (overall)	Last played before this show	Gap
Halley's Comet	161	2026-07-27	1994-12-29	11
Down with Disease	327	2026-09-04	1994-12-06	17
Esther	138	2026-07-29	1994-11-25	25
Ya Mar	240	2026-09-04	1994-12-07	16
Cry Baby Cry	5	2016-07-20	1994-11-22	27
It's Ice	255	2026-07-27	1995-06-10	3
My Mind's Got a Mind of its Own	47	2025-07-11	1994-12-08	15
Dog Faced Boy	55	2026-01-28	1994-12-28	12
Catapult	37	2026-07-25	1994-12-08	15
Split Open and Melt	356	2026-09-06	1995-06-14	1
Runaway Jim	413	2026-07-22	1995-06-13	2
Free	244	2026-09-05	1995-06-10	3
Carolina	85	2025-07-12	1994-10-28	41
You Enjoy Myself	629	2026-07-29	1995-06-10	3
The Squirming Coil	378	2026-07-25	1995-06-09	4
Bold As Love	86	2026-07-29	1994-12-28	12

gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.

Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →