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1989-12-30
THE WETLANDS PRESERVE · New York, NY · 1989 Tour Era 1.0
Set 1: Fluff's Travels -> David Bowie
Set 2:
Bathtub Gin [5:58],
Split Open and Melt [7:49],
Ya Mar [7:23],
Suzy Greenberg [4:57] >
Foam [8:22],
My Sweet One [2:07] >
La Grange [4:55],
Lawn Boy [2:35],
Golgi Apparatus [5:12]
Set 2 total:
49:18
Encore:
Auld Lang Syne [0:22] ->
Mike's Song [5:44] >
I Am Hydrogen [2:13] >
Weekapaug Groove [6:08]
Encore total:
14:27
Timed portion: 1:03:45 across 13 of 15 songs — a floor, not the show's length.
Times come from phish.in and are shown only where one track maps to exactly one song. Segued songs are often released as a single bundled track carrying one duration for several songs, and a song played twice in a set can't be told apart — those get no time rather than a made-up one. 2 of 15 songs here are untimed for that reason (or because the show isn't on phish.in at all).
Notes
Gap chart
How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.
| Song | Times played | Last played (overall) | Last played before this show | Gap |
|---|---|---|---|---|
| Fluff's Travels | 1 | 1989-12-30 | debut | — |
| David Bowie | 481 | 2026-07-22 | 1989-12-15 | 2 |
| Bathtub Gin | 321 | 2026-07-24 | 1989-12-09 | 3 |
| Split Open and Melt | 356 | 2026-09-06 | 1989-12-08 | 4 |
| Ya Mar | 240 | 2026-09-04 | 1989-12-29 | 0 |
| Suzy Greenberg | 458 | 2026-07-24 | 1989-12-08 | 4 |
| Foam | 358 | 2026-07-22 | 1989-12-09 | 3 |
| My Sweet One | 254 | 2025-01-29 | 1989-12-08 | 4 |
| La Grange | 83 | 2026-07-24 | 1989-12-09 | 3 |
| Lawn Boy | 222 | 2025-07-25 | 1989-12-29 | 0 |
| Golgi Apparatus | 486 | 2026-07-24 | 1989-12-16 | 1 |
| Auld Lang Syne | 29 | 2025-12-31 | debut | — |
| Mike's Song | 550 | 2026-08-01 | 1989-12-29 | 0 |
| I Am Hydrogen | 356 | 2026-07-22 | 1989-12-29 | 0 |
| Weekapaug Groove | 523 | 2026-08-01 | 1989-12-29 | 0 |
gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.
Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →