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2021-08-04
ASCEND AMPHITHEATER · Nashville, TN · Summer Tour 2021 Era 4.0
Set 1:
Evolve [6:53],
Free [10:12],
Ocelot [9:50] >
My Sweet One [3:25],
Cool Amber and Mercury [7:09],
Halfway to the Moon [7:08],
Water in the Sky [3:28],
Theme from the Bottom [8:04] >
Suzy Greenberg [6:07] >
Fluffhead [17:10] notes ↗
Set 1 total:
1:19:26
Set 2:
Mr. Completely [18:55] notes ↗ >
Birds of a Feather [6:24],
Ghost [13:21] notes ↗ ->
Bathtub Gin [12:53] notes ↗ >
Also Sprach Zarathustra [7:12] notes ↗ >
Split Open and Melt [16:35] notes ↗
Set 2 total:
1:15:20
Encore:
Character Zero [7:12] notes ↗
Encore total:
7:12
Show total: 2:41:58 across 17 songs.
Soundcheck
A soundcheck isn't part of the show and counts toward no song's play total or gap.
Notes
Teases
Gap chart
How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.
| Song | Times played | Last played (overall) | Last played before this show | Gap |
|---|---|---|---|---|
| Evolve | 33 | 2026-07-12 | debut | — |
| Free | 244 | 2026-09-05 | 2021-07-28 | 4 |
| Ocelot | 104 | 2026-07-21 | 2019-12-07 | 14 |
| My Sweet One | 254 | 2025-01-29 | 2019-12-08 | 13 |
| Cool Amber and Mercury | 8 | 2023-10-10 | 2019-12-07 | 14 |
| Halfway to the Moon | 56 | 2026-04-30 | 2019-12-07 | 14 |
| Water in the Sky | 89 | 2026-01-30 | 2019-12-04 | 16 |
| Theme from the Bottom | 202 | 2026-07-27 | 2019-12-04 | 16 |
| Suzy Greenberg | 458 | 2026-07-24 | 2019-12-06 | 15 |
| Fluffhead | 293 | 2026-07-24 | 2019-12-31 | 9 |
| Mr. Completely | 15 | 2024-07-31 | 2019-12-07 | 14 |
| Birds of a Feather | 144 | 2026-07-14 | 2019-12-29 | 11 |
| Ghost | 238 | 2026-09-06 | 2021-07-30 | 3 |
| Bathtub Gin | 321 | 2026-07-24 | 2021-07-31 | 2 |
| Also Sprach Zarathustra | 279 | 2026-07-24 | 2020-02-21 | 7 |
| Split Open and Melt | 356 | 2026-09-06 | 2019-12-07 | 14 |
| Character Zero | 269 | 2026-09-04 | 2021-07-30 | 3 |
gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.
Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →