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2018-11-03
MGM GRAND GARDEN ARENA · Las Vegas, NV · Fall Tour 2018 Era 3.0
Set 1:
The Moma Dance [8:53],
Kill Devil Falls [9:06] >
Roggae [9:05],
Water in the Sky [3:07],
555 [5:46] >
Tube [10:49] notes ↗ >
Farmhouse [6:29],
Mike's Song [9:35] >
Lifeboy [7:04] >
Weekapaug Groove [7:33]
Set 1 total:
1:17:27
Set 2:
Carini [13:13] >
46 Days [8:48] >
Scents and Subtle Sounds [15:19] >
Crosseyed and Painless [11:29] >
Also Sprach Zarathustra [5:38] >
Possum [9:06] >
Split Open and Melt [20:07] notes ↗
Set 2 total:
1:23:40
Encore:
Wading in the Velvet Sea [6:11],
Character Zero [6:46]
Encore total:
12:57
Show total: 2:54:04 across 19 songs.
Notes
Teases
Gap chart
How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.
| Song | Times played | Last played (overall) | Last played before this show | Gap |
|---|---|---|---|---|
| The Moma Dance | 218 | 2026-10-04 | 2018-10-27 | 4 |
| Kill Devil Falls | 129 | 2026-10-07 | 2018-10-23 | 7 |
| Roggae | 121 | 2026-10-07 | 2018-10-19 | 10 |
| Water in the Sky | 89 | 2026-01-30 | 2018-10-27 | 4 |
| 555 | 73 | 2026-10-03 | 2018-10-24 | 6 |
| Tube | 207 | 2026-10-07 | 2018-10-28 | 3 |
| Farmhouse | 95 | 2026-07-15 | 2018-10-24 | 6 |
| Mike's Song | 552 | 2026-10-12 | 2018-10-23 | 7 |
| Lifeboy | 65 | 2026-07-25 | 2016-10-25 | 70 |
| Weekapaug Groove | 525 | 2026-10-12 | 2018-10-23 | 7 |
| Carini | 163 | 2026-10-09 | 2018-10-28 | 3 |
| 46 Days | 161 | 2026-10-06 | 2018-10-27 | 4 |
| Scents and Subtle Sounds | 52 | 2026-10-12 | 2018-10-24 | 6 |
| Crosseyed and Painless | 74 | 2026-10-09 | 2018-10-24 | 6 |
| Also Sprach Zarathustra | 280 | 2026-10-06 | 2018-10-24 | 6 |
| Possum | 588 | 2026-10-11 | 2018-10-26 | 5 |
| Split Open and Melt | 357 | 2026-10-04 | 2018-10-19 | 10 |
| Wading in the Velvet Sea | 115 | 2026-10-12 | 2018-10-17 | 11 |
| Character Zero | 271 | 2026-10-12 | 2018-10-28 | 3 |
gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.
Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →