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2013-10-20
HAMPTON COLISEUM · Hampton, VA · Fall Tour 2013 Era 3.0
Set 1:
Julius [7:49],
Funky Bitch [6:46],
Back on the Train [9:44] notes ↗,
Roses Are Free [6:50] >
Sample in a Jar [6:16],
Ginseng Sullivan [3:01],
46 Days [7:51],
Divided Sky [18:46],
Bold As Love [6:48]
Set 1 total:
1:13:51
Set 2:
Paul and Silas [3:48] >
Tweezer [23:46] notes ↗ >
Golden Age [17:10] notes ↗ >
Piper [6:27] ->
Takin' Care of Business [5:54] >
Also Sprach Zarathustra [8:10] notes ↗ >
Sand [9:41] >
Slave to the Traffic Light [10:48]
Set 2 total:
1:25:44
Encore:
A Day in the Life [5:05] >
Tweezer Reprise [4:20]
Encore total:
9:25
Show total: 2:49:00 across 19 songs.
Notes
Teases
Gap chart
How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.
| Song | Times played | Last played (overall) | Last played before this show | Gap |
|---|---|---|---|---|
| Julius | 246 | 2026-10-07 | 2013-07-31 | 9 |
| Funky Bitch | 238 | 2026-07-27 | 2013-09-01 | 2 |
| Back on the Train | 176 | 2026-10-03 | 2013-09-01 | 2 |
| Roses Are Free | 53 | 2025-07-27 | 2013-08-05 | 5 |
| Sample in a Jar | 316 | 2026-07-25 | 2013-08-03 | 7 |
| Ginseng Sullivan | 82 | 2025-09-14 | 2012-08-24 | 38 |
| 46 Days | 161 | 2026-10-06 | 2013-08-31 | 3 |
| Divided Sky | 449 | 2026-10-06 | 2013-09-01 | 2 |
| Bold As Love | 86 | 2026-07-29 | 2013-08-04 | 6 |
| Paul and Silas | 92 | 2025-06-24 | 2012-07-06 | 46 |
| Tweezer | 422 | 2026-10-09 | 2013-08-31 | 3 |
| Golden Age | 92 | 2026-10-07 | 2013-09-01 | 2 |
| Piper | 213 | 2026-10-11 | 2013-09-01 | 2 |
| Takin' Care of Business | 1 | 2013-10-20 | debut | — |
| Also Sprach Zarathustra | 280 | 2026-10-06 | 2013-08-31 | 3 |
| Sand | 170 | 2026-10-11 | 2013-08-30 | 4 |
| Slave to the Traffic Light | 301 | 2026-10-11 | 2013-08-30 | 4 |
| A Day in the Life | 76 | 2026-07-29 | 2013-07-16 | 18 |
| Tweezer Reprise | 335 | 2026-10-09 | 2013-08-31 | 3 |
gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.
Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →