🍩 Phish Setlist Tracker

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1996-12-30

FLEETCENTER · Boston, MA · New Years Run 1996 Era 1.0

Set 1: Ya Mar [8:58], The Sloth [3:43], Llama [4:35], Gumbo [5:54], Reba [13:08] notes ↗, Talk [3:36], Funky Bitch [7:54], Theme from the Bottom [8:36] > Good Times Bad Times [7:45]
Set 1 total: 1:04:09

Set 2: Timber (Jerry the Mule) [5:34] > Uncle Pen [4:06], AC/DC Bag [9:24], Guyute [10:09], Tweezer [14:58] notes ↗ -> Lifeboy [8:15] > Scent of a Mule [13:19] notes ↗, Slave to the Traffic Light [13:42]
Set 2 total: 1:19:27

Encore: Possum [12:20] notes ↗
Encore total: 12:20

Show total: 2:35:56 across 18 songs.

Notes

Reba did not have the whistling ending. Talk featured Trey on acoustic guitar. The P.A. cut out during Funky Bitch, during which Fish took an “air drum” solo, Trey performed Townshend-style windmills, and the entire band engaged in random silliness while still “playing” the song. Scent featured a Page/Mike Mule Duel and a guest appearance from comedian Steven Wright, who came out and rang a desk bell three times.

Gap chart

How long each of tonight's songs had been on the shelf, across all Phish shows. The gap is always as of this date.

SongTimes playedLast played (overall) Last played before this showGap
Ya Mar 240 2026-09-04 1996-12-02 5
The Sloth 177 2026-04-30 1996-11-27 9
Llama 328 2026-07-24 1996-12-06 2
Gumbo 129 2026-07-24 1996-12-02 5
Reba 420 2026-07-22 1996-12-04 3
Talk 16 2026-07-29 1996-11-14 17
Funky Bitch 238 2026-07-27 1996-11-30 7
Theme from the Bottom 202 2026-07-27 1996-12-02 5
Good Times Bad Times 232 2026-07-24 1996-12-06 2
Timber (Jerry the Mule) 110 2026-07-27 1996-12-04 3
Uncle Pen 213 2017-08-05 1996-12-04 3
AC/DC Bag 344 2026-07-22 1996-12-02 5
Guyute 137 2026-07-29 1996-12-04 3
Tweezer 420 2026-09-05 1996-12-01 6
Lifeboy 65 2026-07-25 1996-08-13 42
Scent of a Mule 139 2026-07-27 1996-12-02 5
Slave to the Traffic Light 299 2026-07-24 1996-12-01 6
Possum 586 2026-09-05 1996-11-30 7

gold = bustout (long gap) · red = jam chart · [m:ss] = phish.in duration (click it to listen) · hover a song for its gap.

Jam-chart marks are curated by hand and lag the shows — the most recent months are sparsely marked because nobody has written them up yet, not because the jams were weak. See coverage →