Jam charts
33 of 5,198 jam-charted performances matching βWilsonβ. A jam chart is a human curator's note that this version is worth hearing.
Curation lags the shows. Jam charts are written by volunteers after the fact, so recent months look empty β 12.9% of timed tracks are marked overall, and the most recent year with any marks at all is 2026. A recent show with no jam chart means not yet curated, not "nothing good happened". Prediction treats the last 365 days as uncurated for exactly this reason.
Most jam-charted songs
Performances
| Date | Song | Set | Length | Venue |
|---|---|---|---|---|
| 2023-12-31 | Wilson notes β | Set 2 | 4:29 | MADISON SQUARE GARDEN, New York NY |
| 2017-07-29 | Wilson notes β | Set 1 | 9:11 | MADISON SQUARE GARDEN, New York NY |
| 2011-07-03 | Wilson notes β | Set 1 | 7:30 | WATKINS GLEN INTERNATIONAL, Watkins Glen NY |
| 2010-10-31 | Wilson notes β | Set 3 | 7:55 | BOARDWALK HALL, Atlantic City NJ |
| 2010-10-20 | Wilson notes β | Set 1 | 3:56 | UTICA MEMORIAL AUDITORIUM, Utica NY |
| 2004-04-16 | Wilson notes β | Set 2 | β | THOMAS & MACK CENTER, Las Vegas NV |
| 2004-04-16 | Wilson notes β | Set 2 | β | THOMAS & MACK CENTER, Las Vegas NV |
| 2003-07-19 | Wilson notes β | Set 1 | 6:44 | ALPINE VALLEY MUSIC THEATRE, East Troy WI |
| 2000-09-29 | Wilson notes β | Set 1 | 9:32 | THOMAS & MACK CENTER, Las Vegas NV |
| 2000-09-12 | Wilson notes β | Set 1 | 8:00 | TWEETER CENTER, Mansfield MA |
| 1999-12-30 | Wilson notes β | Set 2 | 6:58 | BIG CYPRESS SEMINOLE INDIAN RESERVATION, Big Cypress FL |
| 1999-07-18 | Wilson notes β | Set 3 | 4:18 | OSWEGO COUNTY AIRPORT, Volney NY |
| 1999-07-10 | Wilson notes β | Set 1 | 7:40 | E CENTRE, Camden NJ |
| 1999-07-04 | Wilson notes β | Set 2 | 8:47 | LAKEWOOD AMPHITHEATRE, Atlanta GA |
| 1998-08-16 | Wilson notes β | Set 3 | 7:56 | LORING COMMERCE CENTRE, Limestone ME |
| 1998-07-25 | Wilson notes β | Set 2 | 7:11 | SOUTH PARK MEADOWS, Austin TX |
| 1998-07-15 | Wilson notes β | Encore | 6:58 | PORTLAND MEADOWS, Portland OR |
| 1998-07-08 | Wilson notes β | Set 2 | 9:34 | ZELESTE, Barcelona Catalonia |
| 1997-08-13 | Wilson notes β | Set 1 | 6:52 | STAR LAKE AMPHITHEATRE, Burgettstown PA |
| 1997-02-21 | Wilson notes β | Set 2 | 4:31 | TENAX, Florence Tuscany |
| 1994-07-13 | Wilson notes β | Set 2 | β | BIG BIRCH CONCERT PAVILION, Patterson NY |
| 1994-04-15 | Wilson notes β | Set 1 | 4:47 | BEACON THEATRE, New York NY |
| 1993-04-30 | Wilson notes β | Set 2 | 7:21 | SPORTS CENTER, UNIVERSITY OF HARTFORD, West Hartford CT |
| 1993-03-13 | Wilson notes β | Set 1 | 7:38 | BALCH FIELDHOUSE, UNIVERSITY OF COLORADO, Boulder CO |
| 1992-12-13 | Wilson notes β | Set 1 | 7:37 | LE SPECTRUM, MontrΓ©al Quebec |
| 1992-12-08 | Wilson notes β | Set 1 | 9:02 | BARRYMORE THEATRE, Madison WI |
| 1992-08-17 | Wilson notes β | Set 1 | 7:47 | THE COACH HOUSE, San Juan Capistrano CA |
| 1990-01-27 | Wilson notes β | Set 1 | 4:03 | THE FRONT, Burlington VT |
| 1988-10-29 | Wilson notes β | Set 3 | 5:23 | SCULPTURE ROOM, GODDARD COLLEGE, Plainfield VT |
| 1988-02-08 | Wilson notes β | Set 2 | 7:28 | NECTAR'S, Burlington VT |
| 1987-11-18 | Wilson notes β | Set 1 | 4:24 | HUNT'S, Burlington VT |
| 1987-08-21 | Wilson notes β | Set 1 | 6:48 | IAN MCLEAN'S FARM, Hebron NY |
| 1986-10-12 | Wilson notes β | Set 1 | 6:56 | HAYBARN THEATER, GODDARD COLLEGE, Plainfield VT |
Coverage by year
What share of each year's timed tracks carry a jam-chart mark. The tell is the drop to zero at the recent end β that's the curation backlog, not a dry spell.
| Year | Timed tracks | Jam charted | Rate | |
|---|---|---|---|---|
| 2026 | 592 | 38 | 6.4% | |
| 2025 | 854 | 180 | 21.1% | |
| 2024 | 768 | 141 | 18.4% | |
| 2023 | 886 | 162 | 18.3% | |
| 2022 | 853 | 173 | 20.3% | |
| 2021 | 668 | 138 | 20.7% | |
| 2020 | 82 | 16 | 19.5% | |
| 2019 | 877 | 83 | 9.5% | |
| 2018 | 746 | 118 | 15.8% | |
| 2017 | 516 | 99 | 19.2% | |
| 2016 | 1004 | 107 | 10.7% | |
| 2015 | 605 | 100 | 16.5% | |
| 2014 | 871 | 103 | 11.8% | |
| 2013 | 883 | 127 | 14.4% | |
| 2012 | 854 | 87 | 10.2% | |
| 2011 | 888 | 99 | 11.2% | |
| 2010 | 1062 | 91 | 8.6% | |
| 2009 | 1125 | 88 | 7.8% | |
| 2004 | 313 | 69 | 22.0% | |
| 2003 | 769 | 191 | 24.8% | |
| 2002 | 27 | 4 | 14.8% | |
| 2000 | 890 | 163 | 18.3% | |
| 1999 | 1127 | 224 | 19.9% | |
| 1998 | 1195 | 256 | 21.4% | |
| 1997 | 1335 | 334 | 25.0% | |
| 1996 | 1225 | 157 | 12.8% | |
| 1995 | 1558 | 259 | 16.6% | |
| 1994 | 2489 | 392 | 15.8% | |
| 1993 | 2510 | 312 | 12.4% | |
| 1992 | 2240 | 173 | 7.7% | |
| 1991 | 2762 | 115 | 4.2% | |
| 1990 | 2313 | 84 | 3.6% | |
| 1989 | 1304 | 47 | 3.6% | |
| 1988 | 889 | 52 | 5.9% | |
| 1987 | 373 | 39 | 10.5% | |
| 1986 | 126 | 18 | 14.3% | |
| 1985 | 99 | 9 | 9.1% | |
| 1984 | 23 | 4 | 17.4% | |
| 1983 | 8 | 0 | 0.0% |
4,852 marked of 37,709 timed tracks. Coverage is measured over phish.in tracks that map to exactly one song; the performance list above uses every jam-chart mark we have, from phish.net setlists and phish.in tags alike.